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Our Top Record of 2025: Rosalía's Lux Claims the Number One Spot.

Initially, this work might appear closer to an arduous university examination than a new popular music album by an artist who just had a previous single featured an international pop star. Divided into four different parts and sung in thirteen languages, this is a dizzying orchestral-influenced work that delves into female mystique, spiritual ascent, and corporal change, often through the lens of different women saints. The dissolution of a love affair—a theme handled with raw openness on another major 2025 album—is shot upwards here, supported by the lush presence of a full orchestra and input from an award-winning songwriter among a vast roll call of collaborators. Its sheer daring by itself makes the work of other pop stars look rather small.

Transcending Academic Pretense

That Lux succeeds in avoid overly intellectual chin-stroking is nearly a miracle, and complete credit going to the artist. While it's not her first project to blend the past with the present, its scale feel much higher here, with the balancing act far more precarious. The element that truly raises this fourth album, beyond its multilayered melodies, rich compositions, and engrained theatricality, proves to be an essential sense of joy. Similar to the iconic artist during her height, there is a wondrous quality to Rosalía's voice that pulls the listener up in its whirlwind. When she is tearing hearts in two, the listener nevertheless want to stay alongside her through the journey.

A Signature Example of Joy

That playful energy comes forth brightly during the stirring piano-led ballad inspired by Saint Clare. It luxuriates in a string-drenched melancholy for several moments. Then, everything drops away, to reveal there's a spontaneous laugh and a declaration before a comically exaggerated string crescendo thuds down like comedic impact. The song immediately shifts into the wild track featuring galloping orchestration, a powerful choral group, and a cameo role from none other than herself.

"The magic of Lux lies in the listener never quite know—or even wish to predict—what you is going next."

Nearly every track concludes in a totally distinct place than how it started. A track examines the transient nature of fame over a featherlight orchestration before collapsing into electronic chaos. Another, a cut echoing the artist's earlier trap-infused work starts out moody and brooding, with menacing vocals, until fluttering traditional rhythms and an angelic chorus arrive to soften the song's jagged corners.

The Balance Between Experiment & Pop

Another crucial achievement of Lux is navigating the gap between bold innovation and broad appeal. This is no surprise that it has achieved her highest-charting work to crack the upper reaches of key charts: at its core a collection of truly catchy hits. A song performed entirely in the English language builds around a chorus that seems to collect more and more nagging hooks as it spins upward. This feat is echoed by another expansive track that grows and constricts, intertwining multiple tunes as a complex tapestry.

  • A dance-infused song charms via its playful, Disney-adjacent flair and a chant-along hook.
  • Lyrically, it shares the pop culture honesty of other breakup songs, lambasting an ex- lover described as an "emotional terrorist".
  • Across the album, the singing have a painted-on smile, akin to a storybook character hiding a knife: "Top prize in being a motherfucker / You have won the trophy of disappointment."

A Maximalist Feast for the Ears

Lux represents popular music on a maximalist level, an ambitious grasp for high Art in an era of looming AI-generated sameness. It rejects solipsism in favor of glorious elevation, crafting an over-the-top spectacle that masterfully manages its built-in excess. This is an abundant source of buried gems that requires patience to completely explore but doesn't feels like hard work. Where other major pop albums of 2025 seemed like a meager scraps, this record is a sumptuous feast where the characters at it, perhaps tipsy on sacred drink, flutter from conversations about historical saints, the profound feeling of soul-shattering grief, and shared gossip about hopeless men. In essence, it's a contemporary musical from music's truly restlessly inventive visionary.

By

Susan Martin

Evelyn is a seasoned journalist with over a decade of experience covering UK current affairs and digital innovation.

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